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A dance film that looks closely at Flamenco and more particularly the Saeta style. The film takes traditional flamenco to an abstract level with an eerie overtone.
by @IdentityPolitics
"Saeta: The Mourning"- Dance Film
A beautiful work choreographed by Rosemary Lee and Simon Whitehead, set in St. Georges Gardens, Bloomsbury, London in October 2016.
by @Corporeality
Calling Tree
An overview of my on-going research with bodies (we are not just one body), selves (we are not just one self) and the spaces of places. How can we immerse with places and what effect does this interaction have on the body-selves. Our identity is closely associated with both our body and the places with which we interact?
by @Corporeality
Bodies, selves and places
This project investigates the attention to physical, social and political context in somatic performance practices, focusing on the work of practitioner Dr. Sandra Reeve and her ‘ecological movement’ approach as a case study.
by @SomaticPrac
Somatic Performance Practices: Sandra Reeve and Ecological Movement
The InVisible Difference project seeks to extend current thinking that surrounds the making, status, ownership and value of work by contemporary dance choreographers. We are researchers from two different disciplines – dance and law – and our primary focus is on dance made and performed by disabled dance artists
by @Inclusive
InVisible Difference Project-AHRC
Questions around dance annotation. Transmission// Technology// Documentation.
by @Archival
Dance Annotation By Rebecca Stancliffe
Wholodance aims at developing and applying breakthrough technologies to Dance Learning in order to achieve results that will have relevant impacts on numerous targets including, but not limited to, the dance practitioners ranging from Researchers and Professionals to Dance Students and the Interested Public.
by @Digitisation
WhoLo DancE EU Horizon 2020 project
This project is about bringing cultural heritage and people together in a changing Europe and finding new ways of engaging with heritage in a digital world.
by @Digitisation
RICHES-EU Funded Project
Recovery is a practice-as-research performance project about perseverance, loss and proximity. It considers the ways in which dancer-performers sustain and wear performance material in time.
by @DancePsych
RECOVERY By: Simon Ellis
A glimpse into my research on Martha Graham, the American Modern Dance pioneer.
by @Archival
Martha Graham By Victoria Thoms
The CIVIC EPISTEMOLOGIES project is about the participation of citizens in research on cultural heritage and humanities. ICT are powerful drivers of creativity, but specific technical know-how is still generally lacking in the creative industries sectors. In addition, humanities scholarship is not yet taking full advantage of ICT to engage with wider audiences.
by @Inclusive
Civic Epistemologies- EU Funded
Moving Online is a three-month project (May – August 2016) run by Hetty Blades (C-DaRE,Coventry University) in collaboration with the Digital Catapult. It explores the circulation of dance on the internet, asking questions about how notions of value, authorship and ownership are reconfigured in the online space.
by @Digitisation
MOVINGONLINE-Hetty Blades
Emilie Gallier's work in relation to C-DaRE
by @Corporeality
SYNC, Twist, MOVE

This is the DanceSpace demo of the Europeana Space project, which is funded by the European Commission.